ProRes and DNxHD/R are codecs. On the ProRes side everything from ProRes Proxy to ProRes HQ is 10-bit. h264 is fine for normal playback, but in h264 compression the frames are compressed in groups instead of individually, which makes frame-accurate editing pretty difficult. . A video editor should be able to tell you what codec everything is, or. 264等面向分发的格式解码更简单。. Fixes an issue where exporting ProRes RAW to H. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. You won't want less than ProRes 422 HQ for final results anyway. The DNxHD 175 file's difference from the uncompressed was barely visible to the naked eye, but the ProRes 422 (HQ) codec showed significant differences. I create Apple ProRes 422 Proxies (all same settings except. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. These offer varying levels of compression that result in different file sizes. Pro Filmmaker Apps is a curated database that can help you get a job done a little better or a little faster. The only thing you can't do is render a new ProRes file. Buindling up contrast can lead to loss if detail in both the whites and blacks. Choose a proper pixel format using the format filter. 8. The most common of these codecs are ProRes, DNxHD/DNxHR, and CineForm. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. I'm looking to fall back on MJPEG capture on ME, but I'm wondering what bitrate it captures at in comparison to something like ProRes. Nils Welter Media Express MJPEG vs DNxHD/ProRes bitrates? So I've pretty much given up trying to troubleshoot why I'm getting crackling audio when capturing DNxHD with a Intensity Shuttle thru Resolve (w/ 6 ch. Render previews of any clips with effects and clips that are not the same as the new smart. DeCrescenzo wrote: My BMPC-4K camera records ProRes HD/UHD (HQ, 422, LT, Proxy) and RAW 4000 x 2160. ProRes 4444 uses 4:4:4 color sampling to encode RGB log film scans, and a higher bit rate (less compression) than the ProRes 422 codecs. This is a one-time activation for the life of the product. Video Codec: Apple ProRes 422 Proxy. For those wanting more information on ProRes vs DNxHD vs Cineform, especially those transcoding and/or editing on a PC, here's a a helpful comparison. A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). So for example if you were to decode prores raw to some colorspace that either clamps some values or produces values above 1. Avid DNx. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. これらは可逆動画コーデックではないものの、視覚的な劣化が極めて少なく、テレビ局の制作過程でも使用されるレベルのコーデックである。Adobe PremiereならDNxHRが使えるし、Final Cut ProならProResが使. A simple, straightforward comparison between all of the different codecs and file types available with the Atomos Ninja V, on the original Sony A7S. But all this not visible for human eye. Let's say my original footage is H264. You have to transcode to DNxHD on export. If it's not 10 bit, then you're totally fine with DNxHR SQ. 264. Results can be emailed or copied to the clipboard. mov, . VincibleAndy • 7 yr. As opposed to say the long-GOP (group of pictures) format. Note that not all of these formats are actually supported with prores). The bitrates, workflow and 10bit color depth seem to be the same. n Apple ProRes RAW is not yet supported n Export of Apple ProRes SD MOV is not supported. In premiere they show up just as soundfile and Media Encoder is black. Throughout the production pipeline you want to have as flat an image as you can get. If you’ve ever tried to edit H. This. So we’ve scoured the Internet and brought them all into a single page. 3. (However, 4444 XQ is a newer format and isn't as widely supported as ProRes 4444 -- yet). To see the difference between ProRes and the other video codecs, here is a table that shows ProRes vs. Report. Being well-versed in video codecs is essential for remote video editors to ensure optimal video quality, compatibility, and efficient file transfer. 90. 264 codec is widely used in video delivery/distribution. Within these two main formats sits 3 sub-categories exist such as ProRes 4444XQ, which is the highest quality version of ProRes 4:4:4:4 - it includes an alpha channel for visual effects and can support up to 12-Bit RGB and a 16-Bit alpha channel, with a target data rate of 500 Mbps. DNxHR and ProRes was optimized to be visually lossless through many generations of decoding and re-encoding. Here is some blind test 'AVC-Intra 100 vs H. ProRes: Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime DNxHD: DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fps H. 14. It's also a lot faster to encode than h. ProRes 422 HQ: is a higher-data-rate version of Apple ProRes 422 that remains visual quality as same high as Apple ProRes 4444 but at. See full list on blog. Know Your Formats. Studio for >=4k mj2 – – yes Kakadu. 264 with a high bitrate? In theory the compression capability, even if is intra-frame only, is better with H. . On top of this alpha channel in DNxHR is uncompressed, where in ProRes it's mathematically lossless compression,. 264 instead (at the same data rate). I have already read a previous thread already (ProRes vs DVxHD), in which some of you indicate that the details and color rendition seems to be better in ProRes. 26x 和 MPEG. ProRes 422: This is the format I recommend for anyone shooting DSLR, HDV, AVCHD, XDCAM EX, XDCAM HD, AVCAM, or P2. 1. Reply. It’s most suitable for VFX work, Chroma Keying and heavy color grading manipulations. Adds support for multi-pass HEVC 4:2:2 encoding. Resolution: DNxHR HQX 10-bit. 264 video, especially 4K you know it can be a stuttering. To my understanding all DNxHD and DNxHR codecs are strict CBR, while the ProRes files are VBR. ) Once you are finished your edit, export as an HQX file for your master. Location: 1146 North Las Palmas Ave. Render the comp and import the result into AE. If your computer has the hardware to decode H. The "fast" ist the key here: edit codecs store every frame individually. However, if you’re shooting a project with a short turnaround time, you can’t go wrong with ProRes. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. Usually using a MXF or QuickTime MOV container. 265, where there are only complete. 2 Upvotes. A codec is a specific schema for encoding video or audio data. ProRes is not a singular thing, though. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. See Avid DNxHD Notes for more information. Avid DNxHD. Either ProRes 422 or ProRes 422 HQ codecs are preferred however DNxHD is also acceptable. and Apple ProRes 4444 fully support 4:4:4 image sources, from either RGB or Y’C B C R color spaces. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. Apple ProRes and AVID DNxHD provide the benefit of a complete video file contain with audio embedded. Anything else is just an implementation decision, so up to BM. ProRes and DNxHD/R are codecs. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. ago. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. Upvote Translate. Media Composer supports the creation of Apple ProRes media in OP-Atom, MXF OP1a, and MOV containers on both Mac and Windows. As opposed to say the long-GOP (group of pictures) format H. This means that the lower bitrate DNxHD/HR files might not have adequate bit depth for high quality deliveries. The format in which you are smart rendering determines the option to smart render in these special cases. Removing the Quicktime7 plugin is simply. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. Description. 12 posts • Page 1 of 1. But I just can't wrap my head around why Avid decided to limit the DNxHR codec options for proxy encoding and giving you four flavors of ProRes at the same time. 26x and MPEG standards, the ProRes family of codecs use. Second, AMA/Importing ProRes at matched frame rate works great. Report. Trade your iPhone in for one that shoots ProRes. Votes. Note that not all of these formats are actually supported with prores). . Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. Both ProRes and DNxHD are intermediate codecs, meaning they’re designed with editing in mind, they’re less. Video Codec: DNxHR/DNxHD. Internally all Avid CoDecs use a fixed Gamma and limit the color ranges by default. after setting blender to 1440 x 1080 fields bff and the bitrate to 110 000 fps 29. This is a subreddit dedicated to Atomos products. ProRes – Apple ProRes allows a lot of flexibility when exporting your videos. Media Express MJPEG vs DNxHD/ProRes bitrates? So I've pretty much given up trying to troubleshoot why I'm getting crackling audio when capturing DNxHD with a Intensity Shuttle thru Resolve (w/ 6 ch. . There are a total of six ProRes formats. DNxHD 444 vs Prores 4444. chroma subsampling ratio, and the precision of the audio synchronization (locked vs. ) OPinguimVoador. 1. Resolve handles both fine. for use in post-production that supports video resolution up to 8K. ProRes 是一种中间编解码器，这意味着它们用于影片编辑期间，而不是用于实际观看。. After FFMPEG implemented their version of ProRes everyone hoped. The Ninja V and other current Atomos monitor-recorders can record this as 10-bit 422 Log or Rec. 264 footage to lower quality proxy (DNxHR SQ/LB) either externally (ffmpeg) or inside Resolve (via Media Management Transcode - requires Resolve Studio). Votes. Click OK. MXF can hold pro res or a ton of other codecs. By Angelo Lorenzo | Adobe, Apple, Software | 9 Comments. It's ~175M at HQ, and ~80M in LT. I'll also believe that going from 12 to 10 bits may be the reason of the shifting. DNxHD is better for low end hardware. • Apple ProRes 422 10-bit • Apple ProRes 422 LT 10-bit • Apple ProRes 422 Proxy 10-bit • Avid DNxHD 444 10-bit 440Mbit • Avid DNxHD 422 10-bit 220Mbit • Avid DNxHD 422 8-bit 220Mbit • Avid DNxHD 422 8-bit 145Mbit • Avid DNxHD 422 8-bit 36Mbit. mov)" according to your needs. Seconding either DNxHD or Apple ProRes. This leads to speedier editing response and less. for compositing apps, is that there aren't any frame size or rate restrictions on ProRes, as there are with DNxHD, which is quite persnickety about them. In this video I show and discuss the differences between. See Avid DNxHD Notes for more information. • 720p/50 N/A, 175x, 175, 115, N/A. greenysmac • 2 yr. 264/MPEG-4 files, transcoding to a more efficient codec for editing – ProRes, Cineform, DNxHD – makes sense, even though it requires more storage. Thu Aug 14, 2014 6:57 pm. That means exactly what it says: you can’t tell the difference between your original video and the same material encoded to ProRes. Studio for >=4k/Dolby P3D65. Re: DNxHR HQX vs. 98 footage but different numbers for other framerates is because the bit rate is tied to the frame rate. 8K resolution. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, lossless alpha channel up to 16 bits. . Alpha: Uncompressed. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. Posted August 12, 2020. A codec is a specific schema for encoding video or audio data. This means that they're designed to be used to transcode footage from other sources into a form that's easy for video editing programs to work with while maintaining quality. 6. Unless you guys are archiving on CD-ROMs or something. On the other hand, you have to use prores 4444 if you want an embedded alpha channel, which is supported in every DNx flavor. ProRes 422. DNxHR is slightly better than DNxHD. This codec is very useful as a final deliverable or even if you need to share a project. This gives you the most room for correction. Other Video Codecs. Reply. 0 or later in order to activate Avid DNxHD, Shogun and Ninja Assassin owners require AtomOS 6. By Angelo Lorenzo | Adobe, Apple, Software | 9 Comments. Avid DNx requires free activation via my. 264 is an intraframe codec meaning your computer has to look at previous and later frames to decipher what to display in source monitor. 8. n Apple ProRes RAW is not yet supported n Export of Apple ProRes SD. There is prores 4444 variant as well, but I don't think it's supported by ffmpeg yet (for decoding either) ffmpeg's dnxhd encode is 8bit version, but it looks like the prores encode is the true 10-bit. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. But I thought above you mentioned PR 422= DNxSQ which is only 8 bit bit prores 422 is also 10 bit. One of the most appreciated post-production tools by Apple, Final Cut Pro X, can easily convert MP4 to ProRes without using any other third-party program. Bit-depth support is not OS-dependent, but codec-dependent. You can change it to another one in the Parameter settings. Apple ProRes and AVID DNxHD provide the benefit of a complete video file contain with audio embedded. I have left Prores and DNxHD behind as mastering / intermediary codecs. I generally hear of DNxHD, Cineform, and ProRes as the intermediate codecs to consider if creating mezzanine or intermediate formats for editing or color grading. ProRes 4444: is an extremely high-quality version of Apple ProRes for 4:4:4:4 image sources (including alpha channels). Atomos Ninja V) Overview of video codecs & file formats a hybrid shooter will encounter with a practical emphasis on editing & storage. Yes, ProRes 422 is vastly better than any H. I have same problem with ProRes 444 from Premiere Pro. If its a feature, try to break it up into 20ish minute reels. The only officially. Hallo Mike, for Apple ProRes and Windows your Software Company need a deal with Apple. ago. I just use a drive dock, get the plastic drive boxes, and use 500GB or 1TB raw drives. The DNxHD ("Digital Nonlinear Extensible High Definition") and DNxHR ("Digital Nonlinear Extensible High Resolution") are lossy video codecs that are intended to be usable as both an intermediate format suitable for use while editing and as a presentation format. 0 we’re changing the default preview codec for most new sequences created from media to Apple ProRes 422 LT. Tue Apr 11, 2023 8:02 pm. First, while you can AMA/Import the footage okay and edit okay; you can't export at all. Advantages, encoding, decoding, settings, and even the way to convert such files. Scott. Meaning that all frames are complete data-sets for that frame. I do have an unrelated question though - I am very interrested in purchasing a GoPro 3 Black edition - we actually sold our GoPro Hero2 just the other. So for example at 1080i59. Prores is actually based on DNxHD. In most cases, ProRes is a better choice than MPEG for. Video Space Calculator. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, high quality, professional "mezzanine" (some editors refer to them as "intermediate") codecs. 265) compression codecs in Ninja V recorder - looking for compression artefacts that may appear when gra. Apple ProRes 422 LT is a more highly compressed codec than Apple ProRes 422, with roughly 70 percent of the data rate and 30 percent smaller. H. 264 100 Mbps': In regard to DNxHD, as mentioned, it behaves nicely when it is set to 'RGB Levels' for 4:2:2 10 bit, whereas to '709' for 4:4:4 10. Agreed with Pat on ProRes vs DNxHD - they're very similar. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. In premiere they show up just as soundfile and Media Encoder is black. I’d strongly disagree. Pro res is similar to the old lossless hufyuv. That being said, starting with a higher quality file is ALWAYS recommended, as YT will always recompress what you upload. They are the same compression, but HD is is HD resolutions only, where HR will scale with any (even numbered) resolution, high or low; HR is the newer version. Watch on. The reason you see DNxHD 36 for 1080p 23. Please preserve the resolution, aspect ratio, frame rate, and color space of your project. Full list of codecs: * Animation * ARRIRAW * AVCHD LP * AVCHD SP * AVCHD. I knew that at some lower bitrate, H. RGB outputs look correct on my MAC at work, but they look super light on my PC at home, whereas 709 outputs look correct on my PC but severely. Avid DNxHD and DNxHR are based on SMPTE 2019–2006 (VC-3). 60/120fps) that don't play smoothly. ProRes 422 and DNxHD definitely reduced the file size, but still too large. These codecs, along with Apple_ProRes_422_Codec_Family and Apple ProRes RAW were. One of the most valuable things I took away from FCP7 and Avid is that using optimized formats is always the best. ) To date, I have been using the ProRes HQ format that the device allows - this gives a 10bit 22MB per second video recording (176mbps) - I shot a 10second clip today using the DNxHD codec, and see that it gives a 10bit 23MBper second video recording (184mbps). However, I wouldn't use it for an intermediate if quality matters. [1] ProRes系列编码器使用基于 离散余弦变换 (DCT)技术的压缩算法，类似于 H. Daniel2 Codec Summary. ProRes とは SD ファイルサイズで HD 画質を実現し、映像業界で広く採用されている。ProRes コーデックの6つのバージョンは、基本属性が共通している。ProRes は、可変ビットレート（VBR）エンコーディ. Broadcasters and postproduction facilities generally standardize on mezzanine formats. Second, AMA/Importing ProRes at matched frame rate works great. It has become a capture camera codec too since the workflow and path to post, make it relatively painless and the compression is perceptually lossless. CINEMA DNG: 2400x1350 (after. That used to certainly be true, but nowadays both codecs work very smoothly on all modern editors (including Premiere Pro and Resolve). Reply. While there's no Bayer sharpening or denoising options in this workflow vs ACR or Resolve 10, I am impressed with the quality and time to process files directly to ProRes HQ (tested so far on my MBP laptop- will work well for on set processing). VincibleAndy • 7 yr. Apple ProRes. Aspect ProRes AVC. And in the Adobe World, you'll always output using the full quality material. I’ve seen DNxHD/HR be slightly more performant than ProRes, but ProRes is far more user friendly. 摘要. Smh. I use DNxHD and DNxHR codecs to share deliverables from DaVinci Resolve in the highest quality possible. Prores HQ-i input. The only significant difference between the two for a proxy workflow is the fact that you may have trouble creating ProRes on a PC, while DNxHD is very easy to create cross-platform. . Community guidelines. ProRes performance in Resolve? Sun Jul 05, 2015 4:39 pm. Besides, as far as I know the Ninja V can't record 12-bit unless you're recording to a raw. I generally hear of DNxHD, Cineform, and ProRes as the intermediate codecs to consider if creating mezzanine or intermediate formats for editing or color grading. . It’s important to note that each ProRes format supports all of the current frame sizes such as SD, HD. cloud06 Posts: 52 Joined: Mon Feb 22, 2016 3:02 pm. I recently g. Incl. DNxHD is definitely more CPU friendly on my laptop. Most often I shoot ProRes HQ. You can buy the full ER Media ToolKit Pro bundle, which handles ProRes and DNxHD conversion for $49. cancel. DNxHD Files exported from AVID in Mov Container are not recognised anymore. This was met by industry professionals with a mixture of excitement and incredulity. 366 subscribers in the Atomos community. Click the "Format" bar and move mouse cursor to "Editing Software" and select "Avid DNxHD 1080p (*. This blog has introduced you to the top five codecs, including H. Either ProRes 422 or ProRes 422 HQ codecs are preferred however DNxHD is also acceptable. mov Prores Ultra (for VFX and keeping Alpha Channel). Ia setara Apple ProRes di Final Cut Pro. These formats are referred to as intraframe formats, not interframe formats. These are some of the possibilities: 23. 264 DNxHD 36 DNxHD 45 DNxHD 75 DNxHD 115 DNxHD 145 DNxHD 175 DNxHD 220. agent42b • 7 yr. MXF OP-Atom mxf Apple ProRes Yes – Yes – Yes – MXF OP-Atom mxf DNxHD 1080i 100 8 bit Yes Yes Yes Yes Yes Yes 1 With watermark without easyDCP license. mov Where -profile:v – 0 = prores422 PROXY – 1 = prores422 LT – 2 = prores422 – 3 = prores422 HQYeah, I've had cliptoolz for 3 years now and it has helped a bunch. 265 was designed to maximize quality on low bitrate streaming, especially 4k and 8k. The real test of a codec isn't what the unprocessed image looks like on the screen, it's h. Download and info for Video Space Calculator. This requires to manually change these options, which I guess you cannot do - 4590400Aug 19, 2022. In simple words, Apple ProRes codec is designed for post-production while H. ProRes 4444 XQ是ProRes家族最新的成员，它是一个非常专业高质量的格式，专为高端后期工作流程和设备而设计。 DNxHD/HR. the UHD 10-bit 422 400Mbps ALL-I mode is likely to be roughly equivalent to UHD Prores 422 which is 471Mbps. Another Windows alternative to DNx and ProRes is Cineform, which comes in both 10-bit and 16-bit variants. 此格式是基于DCT标量的 帧内编码器，其中每一帧都独立存储，可在不依赖于其他帧的情况下进行解码。 因此比诸如H. As opposed to say the long-GOP (group of pictures) format H. Choose your Color Levels, whether you want an Alpha Channel (if you want an Alpha Channel, you’ll. 32bit v 64bit for codec doesn't always translate to speed problems. 264, and just by being intra-frame the playback performance while editing should be equivalent to. If you’re exporting for say a live concert with LED screens, the difference will be noticeable, eg colour gradients will. H264), the former generates large files than. Offline/Online method: Make proxies in for example Davinci Resolve or Adobe Media Encoder or Shutter Encoder – again in an edit friendly codec like ProRes & generally at lower resolution than the original camera files. Seems silly to toss anything. It has a target data rate of approximately. This. The real test of a codec isn't what the unprocessed image looks like on the screen, it's h. Also, the DNxHD family was inferior to ProRes due to it’s constant bitrate, forcing you into certain acceptable resolutions based on the flavor. Enable GPU acceleration, if available, in the following places: Premiere Pro: Project Settings > General (Mac users should pick Metal) Transcode any Long GOP footage to ProRes,. I've personally always wondered if there was actually any difference. Output a self-contained ProRes file of your longplay screening cut. ProRes 444 is 12-bit. But even if time isn’t an issue, there are a few conversion. To date, I have been using the ProRes HQ format that the device allows - this gives a 10bit 22MB per second video recording (176mbps) - I shot a 10second clip today using the DNxHD codec, and see that it gives a 10bit 23MBper second video recording (184mbps). A codec is a specific schema for encoding video or audio data. I'm not saying that Adobe pays Apple the license so it can add native support to export in ProRes, but they could maintain support for plugins at least. And the default ProRes codec is ProRes 422 HQ. The calculator can be used with any type of media, including HD or SD footage, as well as. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. This means that the lower bitrate DNxHD/HR files might not have adequate bit depth for high quality deliveries. Lightworks is coming out with a version for Linux soon ( and mac). MOV (DNxHD/DNxHR) - Popular use with Avid and Premiere MOV (Prores 422/422 HQ/4444) - Popular use with Final Cut X, Premiere and Avid MOV (GoPro Cineform) - Amazing format primarily used in Adobe PremiereThe GoPro HD3 black is much better in all regards than the previous models. 264 HD √ √ √ AVC-INTRA Panasonic P2 AVC-Intra 50 MXF OP-1A AVC-Intra 50 HD √ √ √I am seeing different black levels based on my output codec (ProRes vs DNxHD). Avid DNxHD vs ProRes for Vegas Editors. DNxHD 36, for example, is a low-bitrate option suitable for offline editing, while DNxHD 175X offers higher quality for online finishing. Offers nearly all the benefits of ProRes 422 HQ but at only 66% of the data rate. A couple of other tools recommended to transcode MP4 to ProRes in the absence of Wondershare UniConverter are listed below: Final Cut Pro X. PR422 is 10 bit. It's formats and codecs. Premiere suggests DNxHD by default when doing a Render-and-replace of an AE comp. mov, can. I recently g. Like Apple ProRes, DNxHD was designed to retain as much image quality as possible while also making files easy to edit. Click "Browse" button to specify a destination folder to save the converted video file. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. Let's say my original footage is H264. Yes, PR takes longer to upload (but YT can resume uploading, so you're OK there) and takes longer for YT to chomp through to make the various quality versions. for use in post-production that supports video resolution up to 8K. Both have similar structures/data rates. You have to transcode to DNxHD on export. Quote. I am about to grade a feature, and was supposed to get prores 4444. Hollywood, California 90038 USA. As an example, Avid DNxHD or DNxHR is free but has to be activated by the user. Re: Cineform or DNxHD intermediates for editing in Resolve 1. DNxHD145 is similar to ProRes, DNxHD100 is similar to ProResLT, and DNxHD36 is similar to ProResProxy. DNxHD – DNxHD is Avid’s intermediate CODEC. 1091 posts • Page 20 of 22 • 1. DNxHD allows 8-bit. This was met by industry professionals with a mixture of excitement and incredulity. 94 fields/sec) for NTSC, or 25i (aka 25fps/50fields) for PAL. Today I wanted to take a practical look at video codecs for storage and archiving types of footage. Fri Sep 20, 2013 5:17 pm. 976) In the case of 1920x1080 footage, using a frame rate of 24 fps or 23. John Paines wrote:The difference is an artifact. Please use Quicktime MOV. MPEG LA, L. 它是 Apple Intermediate Codec 的后继产品，于2007年与 Final Cut Studio 2 一起推出。. 1. 97 fps, 59. We ask for ProRes Proxy 1920X1080. There are a number of 10-bit video monitors from companies like Sony, Flanders Scientific, Panasonic and many others that support full 10-bit images via a Thunderbolt or PCI connection. This is a subreddit dedicated to Atomos products. Thank you to Marco for his work and for offering to make these freely available to the.